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1. |
Compliance
03:26
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If only I could be
Docile and compliant
If only I could fit her shoes
If only I could be
The doll that you imagine
I'd proudly shape myself into your muse
If only she knew
The future she was after
She would never choose
eternity with you
It's not her place
It's not her style I'm afraid
If only it would prove
Subservience to you
I'd gladly cut myself just as she would
But right in front of you
That I could not do
A lady never lets a man see her blood
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2. |
Caught Her
03:49
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When we were girls
We were our own little world
It seemed that we were unbreakable
So we pushed the limits
Unbearable poverty makes you think
anything's better than what you have
Unspeakable acts seems exciting
You'll sacrifice everything for the chance
But if I could, if I could, if I could have caught her
Would she now be free?
If I could, if I could, if I could have caught her
Would she ever forgive me?
I was all she had, I still
Feel I somehow failed her
I know I was not to blame it was
Only our silence that betrayed her
When they came to take her
She went without a fight
I watched from inside the closet
Protecting myself in the black of night
But if I could...
I could pretend I don't care
Wherever she is, what they do to her
In that moment we were severed (Her submission)
But we were girls together
We were girls together...
Once upon a time
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3. |
The Little Mermaid
05:44
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"Are you not fonder of me than of all the rest?" cried her eyes
"Yes, you are dearest of all to me -- you, the silent one; if not no one, then you."
But then he speaks of her -- the unknown, a false angel.
The mermaid chokes in fear, but still she hopes...
How can you want something more than me? I give my life for yours, sacrifice my voice
Only in hope, a thousand knives each step, that I may share your soul
Oh, if only I could sing, or if this heart had wings, I would be your angel.
Word travels fast, soon despair comes crashing, crashing down
Only blood and sisters' love can save her life now.
A thousand knives. She dances into death that night.
The sea so cold, black, unyielding.
A promise to fall. So only murder can save her now, but what's the use
Her love is gone either way, so why fight?
How can you want more than me? I rewrote my future in foam for you
I gave my life to see this through and am betrayed. And disintegrate. Oooh...
Oh -- Why must true illusion, not love, conquer all?
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4. |
Power
06:29
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Some people use words, gasps of air
Some use flesh, objects of desire seeking power
Either way, from either side, the desire is the same:
Love, whatever that means, whatever it brings, I'll do what I can, to find it
Some follow, others seek
Are we what we feel or what we think?
What can I do to touch you?
When we are only red lights in a grey haze
And I can hardly see you
Why when I close my eyes
I feel your body
Why do I put so much faith in someone I hardly know?
Is it my need to hope?
What do I seek in you?
What's at the core of me
Do I really long for autonomy?
Do I want to be the object of your fantasies
Or are you my dream
Or my icon, so reduced
Or my innocence, so long dismissed?
Love, whatever that means, whatever that brings, I'll do what I can, to find it
Some follow, other seek
You are what you feel
What's at the core of me: do I really seek autonomy?
Or are you a center of power
Or are you who I want to be?
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5. |
Paresthesia
05:28
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Do you ever wonder, wonder who
Silently came, quickly left, left a flower for you?
He said "be wary of symbols" and I see them so clear
But I have dreams -- one of them is you -- they eclipse all my fear
Can you tell me why I dream of you?
Hungry and male, and her, long-lashed and beautiful-sad
Was the electricity only the sparks behind my eyes
In the redness of parched, scorched earth
Thirsty your eyes, or my blood
But its your smile in those moments that lets in hope
I subsist on this, I desist as you resist
But how twisted my desires grow
And when will I feel your eyes, your dark eyes
On my flesh, on my breast
Where I fear my displayed heart lies?
...and oh, the paresthesia when I pretend you want me
When my subconcious taunts me with this impossible dream...
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6. |
The Next Flower
04:38
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You look so intriguing
In that old-fashioned clothing
Your eyes so alluring
So young, yet so knowing
In black fishnet stockings
And dark velvet gown
You visit the nightclubs
All over town
You meet a young man there
You know the type
In exchange for a slow dance
You're his for the night
But boys don't love girls like that
Past the promiscuous hour
They leave your cherished blossom
And fly to the next flower
You let him caress you
In the back of an old car
For proclaiming your beauty
You let him go so far
You're searching for love you say
But that's not how you'll find it
Beneath the flesh you're still alone
And you pretend you don't mind it
But boys don't love girls like that
Past the promiscuous hour
They leave your cherished blossom
And fly to the next flower
Boys don't love girls like that
They don't take them home
To meet mother, make breakfast, or write to you
But this you've always known
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7. |
Kin to Sorrow
01:25
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8. |
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9. |
The Shroud
01:56
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10. |
The Dream
02:58
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11. |
Indifference
01:53
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12. |
Witch Wife
00:52
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13. |
Blight
04:13
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14. |
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15. |
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If only I could be
Docile and compliant
If only I could fit her shoes
If only I could be
The doll that you imagine
I'd proudly shape myself into your muse
If only she knew
The future she was after
She would never choose
eternity with you
It's not her place
It's not her style I'm afraid
If only it would prove
Subservience to you
I'd gladly cut myself just as she would
But right in front of you
That I could not do
A lady never lets a man see her blood
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Unwoman San Francisco
Unwoman is a San Francisco-based cellist-singer-songwriter. Layered with skillful cello, rich vocals, and electronically arranged beats, her solo music is a futuristic homage to her classical training. Unwoman has been featured at steampunk, goth, and sci-fi-related events all over North America and has performed with Abney Park, Rasputina, Voltaire, Amanda Palmer, Stripmall Architecture... ... more
Unwoman recommends:
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This is a the debut full-length of the collaboration featuring Erica Mulkey (Unwoman) on vocals with Matt Fanale (Caustic) on production & songwriting.
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I met these guys at a steampunk event in NJ and I listen to their music over and over.
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Beeps And Smudges
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Doctor Popular made all the instrumental sounds on this with iPhone/iPad apps, and I sing on a few songs.
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What do I say? I love Amanda. She's inspirational, not just her music but her whole personality! This album is fun, serious, heartwarming and inspirational
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supported by 35 fans who also own “Blossoms”
It's only taken me 7 years to discover this! Amanda Palmer now has my full attention. I have a lot to look forward to...
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Artifacts
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Rhode Island singer-songwriter and producer Laura Wolf enshrouds sophisticated chamber music richly textured dream pop, ornate yet organic.
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